(Minghui.org) Shen Yun’s New York Company presented 21 performances in Nagoya, Tokyo, Kyoto, Saitama, Sakai, Osaka, Kamakura, and Hachioji from December 22, 2023 to January 26, 2024.
Shen Yun New York Company at a full theater at the Line Cube Shibuya in Shibuya, Tokyo, Japan, on the afternoon of December 29. The company presented four performances in Tokyo’s special ward of Shibuya December 27–29. (The Epoch Times)
Shen Yun at the ROHM Theatre Kyoto in Kyoto on January 4. The company presented three performances in this ancient capital of Japan January 3–4, all to packed houses. (The Epoch Times)
Shen Yun New York Company’s curtain call at the Omiya Sonic City in Saitama on January 9. The company presented four performances in Saitama January 6–9, all to full theaters. (The Epoch Times)
Shen Yun’s curtain call at the Sakai Performing Arts Center in Sakai on January 14. The company presented two performances in Sakai on January 13 and 14, both to full theaters. (The Epoch Times)
“Hope and Light in the Darkness and Helplessness”
Hiroshi Yano at the Shen Yun performance in Kyoto on January 3 (The Epoch Times)
Hiroshi Yano, a Japanese company owner, went to see Shen Yun in Kyoto on January 3 after a friend recommended it.
After a deadly earthquake in Japan on January 1, Mr. Yano was aware of the impermanence of life.
“Seeing Shen Yun, I felt that I could see hope and light in the darkness and helplessness. This is very important for human beings today,” he said.
“It’s really important for us to see such a performance and gain energy from it now,” he added.
Mr. Yano has experience with TV production, so he understands the work that goes into putting together a performance of Shen Yun’s caliber.
“I know that it is very hard for such a large group of people to perform such a superb show. This unified and energetic performance really surprised me, and I was impressed throughout the whole performance,” said Mr. Yano.
“I have been engaged in music, and conducting is the hardest part because you have to have absolute control of the timing.
“The dynamic background display method was really unique. There is nothing like it in Japan. Using this method to tell stories, you can have unlimited expansion of the background,” he said.
“A Very Profound Culture with a Long History”
Kiyokazu Nagahara at the Shen Yun performance in Tokyo on December 28 (The Epoch Times)
Kiyokazu Nagahara, the CEO of GA Inc., saw Shen Yun in Tokyo on December 28.
“This is a very profound culture with a long history. From a culture like this, I feel that it is not okay to not have a kind heart,” he said.
“Beauty of China in Various Forms”
Yukihisa Oikawa at the Shen Yun performance in Tokyo on December 27
Yukihisa Oikawa, a well-known international political commentator and writer in Japan, saw Shen Yun in Tokyo on December 27.
“It feels like I have experienced thousands of years of history in a short period of time. In short, I think Shen Yun has shown the beauty of China in various forms,” he said.
“An Extraordinary Performance That is Full of Appeal”
Toshiki Kaji at the Shen Yun performance in Tokyo on December 28 (The Epoch Times)
Military expert Toshiki Kaji saw Shen Yun in Tokyo on December 28.
“This is an extraordinary performance that is full of appeal. It is impeccable from a technical standpoint,” he said.
“The lyrics reflect China’s thousands of years of culture, and are exactly a key to the continuation of human civilization,” Mr. Kaji said.
“Extremely High Artistic Level”
Osamu Kobori at the Shen Yun performance in Kyoto on January 4 (The Epoch Times)
Osamu Kobori, the president of a nonprofit organization, saw Shen Yun in Kyoto on January 4.
“A culture of thousands of years bloomed and bore fruit on Shen Yun’s stage... Whether it was choreography or costume design, they all demonstrated extremely high artistic level. I’m curious as to who designed it. The different kinds of costumes designs were excellent!” he said.
“I’m Moved”
Ohta M at the Shen Yun performance in Saitama on January 6 (The Epoch Times)
Elementary school principal Ohta M saw Shen Yun in Saitama on January 6.
“Horizontal and vertical spins, and difficult techniques like back flips were truly amazing. I can feel the amazing physicality of the dancers, as well as the cohesion of the team. Everyone’s gestures were in such synchrony. It was like heavenly maidens have come to earth. I’m moved. This is truly outstanding. The program was not only thought provoking, but also touchingly expressive,” he said.
“Inner Beauty”
Daito, the owner of a shipping company, saw Shen Yun in Sakai on January 14.
“The flexibility and fluidity of the movements were unprecedented. That inner beauty that was presented was also indescribable. This inner beauty was emitted through movements and dance gestures,” he said.
“They Must Have Support from the Divine”
Ms. Zhao at the Shen Yun performance in Osaka on January 16 (NTD Television)
Chinese audience member Ms. Zhao saw Shen Yun in Osaka on January 16.
“They were all celestial beings and celestial maidens on stage. This dance and music must exist in heaven. They must have support from the divine,” Ms. Zhao said.
“This show made me undergo a big change from inside out. A kind of shocking change. To be able to bring people this great of a change, it must be purely kind and purely beautiful. So I’m very touched and awestruck, and more so feel full of hope for the future,” she said.
For more information about performance time, location, and tickets, please visit www.shenyun.com.
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